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V for Vendetta as Cultural Pastiche - A Critical Study of the Graphic Novel and Film (Paperback)
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V for Vendetta as Cultural Pastiche - A Critical Study of the Graphic Novel and Film (Paperback)
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The 2005 James McTeigue and Wachowski Brothers' film ""V for
Vendetta"" represents a postmodern pastiche, a collection of
fragments pasted together from the original Moore and Lloyd graphic
novel of the same name, along with numerous allusions to
literature, history, cinema, music, art, politics, and medicine.
Since it is based upon a graphic novel, the film is from its very
inception intertextual, paralleling the text from which it was
derived while at the same time representing the authorial
contributions of the many people and outside elements that played a
significant role in shaping the film.This work identifies and
examines the intersecting texts of ""V for Vendetta"", with
individual chapters providing localized readings of the story's
specific intertextual components. The subjects covered include the
alternative dimensions of the cinematic narrative, represented in
the film's conspicuous placement of John William Waterhouse's
canvas ""The Lady of Shalott in V's Home""; the film's overt
allusions to the AIDS panic of the 1980s; and the ways in which
antecedent narratives such as Terry Gilliam's ""Brazil"", Huxley's
""Brave New World"", and Bradbury's ""Fahrenheit 451"" represent
shadow texts that frequently cross through the overall ""V for
Vendetta"" narrative.
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