This book contributes to the analysis of film from a multimodal and
textual perspective by extending formal semantics into the realm of
multimodal discourse analysis. It accounts for both the inferential
as well as intersemiotic meaning making processes in filmic
discourse and therefore addresses one of the main questions that
have been asked within film theory and multimodal analysis: How do
we understand film and multimodal texts? The book offers an
analytical answer to this question by providing a systematic tool
for the description of this comprehension process. It aims to
advance knowledge of the various resources in filmic texts, the
ways the resources work together in constructing meaning and the
ways people understand this meaning construction. This new approach
to film interpretation is thus able to remodel and improve the
classical paradigm of film text analysis.
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