Books > Arts & Architecture > Music > Western music, periods & styles > Medieval & Renaissance music (c 1000 to c 1600)
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A Critical Companion to Medieval Motets (Hardcover)
Loot Price: R2,989
Discovery Miles 29 890
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A Critical Companion to Medieval Motets (Hardcover)
Series: Studies in Medieval and Renaissance Music
Expected to ship within 12 - 17 working days
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First full comprehensive guide to one of the most important genres
of music in the Middle Ages. Motets constitute the most important
polyphonic genre of the thirteenth and fourteenth centuries.
Moreover, these compositions are intrinsically involved in the
early development of polyphony. This volume - the first to be
devotedexclusively to medieval motets - aims to provide a
comprehensive guide to them, from a number of different disciplines
and perspectives. It addresses crucial matters such as how the
motet developed; the rich interplay of musical,poetic, and
intertextual modes of meaning specific to the genre; and the
changing social and historical circumstances surrounding motets in
medieval France, England, and Italy. It also seeks to question many
traditional assumptions and received opinions in the area. The
first part of the book considers core concepts in motet
scholarship: issues of genre, relationships between the motet and
other musico-poetic forms, tenor organization, isorhythm,
notational development, social functions, and manuscript layout.
This is followed by a series of individual case studies which look
in detail at a variety of specific pieces, compositional
techniques, collections, and subgenres. JARED C. HARTT is Associate
Professor of Music Theory at the Oberlin College Conservatory of
Music. Contributors: Margaret Bent, Jacques Boogaart, Catherine A.
Bradley, Alice V. Clark, Suzannah Clark, KarenDesmond, Lawrence
Earp, Sarah Fuller, John Haines, Jared C. Hartt, Elizabeth Eva
Leach, Dolores Pesce, Gael Saint-Cricq, Jennifer Saltzstein,
Matthew P. Thomson, Stefan Udell, Anna Zayaruznaya, Emily Zazulia
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