With contributions by Greg Barnhisel, John N. Duvall, Kristin
Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys,
Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson,
Tim A. Ryan, Jay Satterfield, Erin A. Smith, Jay Watson, and
Yung-Hsing Wu.William Faulkner's first ventures into print culture
began far from the world of highbrow New York publishing houses
such as Boni & Liveright or Random House and little magazines
such as the Double Dealer. With that diverse publishing history in
mind, this collection explores Faulkner's multifaceted engagements,
as writer and reader, with the US and international print cultures
of his era, along with how these cultures have mediated his
relationship with various twentieth- and twenty-first-century
Audiences. These essays address the place of Faulkner and his
writings in the creation, design, publishing, marketing, reception,
and collecting of books, in the culture of twentieth-century
magazines, journals, newspapers, and other periodicals (from pulp
to avant-garde), in the history of modern readers and readerships,
and in the construction and cultural politics of literary
authorship. Several Contributors focus on Faulkner's sensational
1931 novel Sanctuary to illustrate the author's multifaceted
relationship to the print ecology of his time, tracing the novel's
path from the wellsprings of Faulkner's artistic vision to the
novel's reception among reviewers, tastemakers, intellectuals, and
other readers of the early 1930s. Other essayists discuss
Faulkner's early notices, the Saturday Review of Literature,
Saturday Evening Post, men's magazines of the 1950s, and Cold War
modernism.
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