This volume, growing out of the celebrated turn toward history
in literary criticism, showcases some of the best new historical
work being done today in textual theory, literary history, and
cultural criticism. The collection brings together for the first
time key representativesfrom various schools of historicist
scholarship, including leading critics whose work has helped define
new historicism. The essays illuminate literary periods ranging
from Anglo-Saxon to postmodern, a variety of literary texts that
includes "The Siege of Thebes," "Macbeth," "The Jazz Singer," and
"The Chosen Place, the Timeless People," and central issues that
have marked new historicism: power, ideology, textuality, othering,
marginality, exile, and liberation.
The contributors are Janet Aikins, Lawrence Buell, Ralph Cohen,
Margaret Ezell, Stephen Greenblatt, Terence Hoagwood, Jerome
McGann, Robert Newman, Katherine O'Keeffe, Lee Patterson, Michael
Rogin, Edward Said, and Hortense Spillers. The editors'
introduction situates the various essays within contemporary
criticism and explores the multiple, contestatory issues at stake
within the historicist enterprise.
General
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