Between spring and winter 1909, Picasso executed more than sixty
portraits of his companion, Fernande Olivier. These works--produced
in a variety of formats and mediums--exhibit a range of artistic
approaches dedicated to a single subject that stands out in the
history of portraiture. Even more significant, this series of works
coincided with the invention of Cubism. Published to accompany a
major exhibition originating at the National Gallery of Art,
Washington, this richly illustrated volume illuminates Picasso's
radical reformulation of human physiognomy.
Containing eighty-two color illustrations and sixty-eight
duotones, the catalogue explores the Fernande portraits and related
works as a single oeuvre culminating in the magnificent "Head of a
Woman (Fernande)"--one of Picasso's rare pre-1912 excursions into
sculpture. By so doing, it allows us to examine Picasso's process
in an unprecedented fashion. What emerges is a new picture of the
artist pursuing his subject with obsessive repetition and
struggling to resolve artistic problems during a time of crisis in
his work. Also included are previously unpublished studio
photographs that offer further insight into the conceptual nature
of the artist's process. The text narrates the internal development
of the Fernande portrait series, situates it within the broader
history of representation, and considers the powerful impact of
Cezanne on Picasso's work during this period.
Seizing a single extended moment in the early history of Cubism,
this catalogue reveals Cubism's great achievement--its startling
invention, its remarkable expressive power, and its profound formal
and psychological implications for modern art.
EXHIBITION SCHEDULE:
National Gallery of Art, Washington
October 1, 2003 - January 18, 2004
Nasher Sculpture Garden, Dallas
February 15 - May 9, 2004"
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