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The History of Sex in American Film (Hardcover)
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The History of Sex in American Film (Hardcover)
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Although American films, especially Hollywood fare, are often
belittled for their one-dimensional portrayal of sex, a close
examination of the history of sex in American motion pictures
reveals that American cinema has actually represented sex in myriad
ways. A more complete understanding of the ways in which sex has
been represented onscreen requires an approach that pays equal
attention to cinematic techniques and to the diversity of sexual
values and behaviors in American society. It is necessary to frame
this discussion within the multiple contradictions of an industry
that has both repressed and represented sex with equal fervor over
the course of its history; of audiences that have both taken
offense at and flocked to films with sexual themes; and a body
politic that has regulated the sexual in popular culture even as
its discourse has been saturated with sexual images and topics. The
History of Sex in American Cinema moves seamlessly between general
film and social history to clarify how exactly sex has been
expressed cinematically, and how we have responded to those
expressions as a culture. In March of 1965 the Supreme Court put
into motion legal changes that marked the end of local film
censorship as it had existed since the early years of the twentieth
century. In Hollywood that same year, The Pawnbroker was released
with a Production Code Seal of Approval, despite nudity that
violated that Code. As sexual liberation occurred onscreen,
parallel developments occurred in the way we lived our lives, and
by the end of the 1960s Americans were having sex more often, and
with more partners, than ever before. There was also now a public
debate surrounding sexuality, and one of the loudest and most
continually active voices in this debate was that of American film.
This work begins with an examination of some of the earliest
altercations in what later came to be known as the culture wars,
and follows those skirmishes, more often than not provoked by
American film, up to the modern day. By looking at how sex in the
cinema has contributed to the demise of the fragile consensus
between liberals and conservatives on freedom of expression, The
History of Sex in American Film suggests a perspective from which
today's culture wars can be better understood. This work combines
close readings of many representative films-including Who's Afraid
of Virginia Woolf?, The Graduate, Blue Velvet, Philadelphia, L.A.
Confidential, and Closer-with a social and historical account of
the most significant changes in American sexual behavior and sexual
representation over the past fifty years.
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