Modern is a word much used, but hard to pin down. In Inventing
Modern, John H. Lienhard uses that word to capture the furious rush
of newness in the first half of 20th-century America. An unexpected
world emerges from under the more familiar Modern. Beyond the
airplanes, radios, art deco, skyscrapers, Fritz Lang's Metropolis,
Buck Rogers, the culture of the open road--Burma Shave, Kerouac,
and White Castles--lie driving forces that set this account of
Modern apart.
One force, says Lienhard, was a new concept of boyhood--the
risk-taking, hands-on savage inventor. Driven by an admiration of
recklessness, America developed its technological empire with
stunning speed. Bringing the airplane to fruition in so short a
time, for example, were people such as Katherine Stinson, Lincoln
Beachey, Amelia Earhart, and Charles Lindbergh. The rediscovery of
mystery powerfully drove Modern as well. X-Rays, quantum mechanics,
and relativity theory had followed electricity and radium. Here we
read how, with reality seemingly altered, hope seemed limitless.
Lienhard blends these forces with his childhood in the brave new
world. The result is perceptive, engaging, and filled with
surprise. Whether he talks about Alexander Calder (an engineer
whose sculptures were exercises in materials science) or that wacky
paean to flight, Flying Down to Rio, unexpected detail emerges from
every tile of this large mosaic.
Inventing Modern is a personal book that displays, rather than
defines, an age that ended before most of us were born. It is an
engineer's homage to a time before the bomb and our terrible loss
of confidence--a time that might yet rise again out of its own
postmodern ashes.
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