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Prospects Of Power - Tragedy, Satire, the Essay, and the Theory of Genre (Hardcover, New)
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Prospects Of Power - Tragedy, Satire, the Essay, and the Theory of Genre (Hardcover, New)
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Genre -- the articulation of "kind" -- is one of the oldest and
most continuous subjects of theoretical and critical commentary.
Yet from Romanticism to postmodernism, the concept of genre has
been punched with so many holes that today it hardly seems
graspable, let alone viable. By combining theory with dialectical
literary histories of three significantly different genres --
tragedy, satire, and the essay -- John Snyder reconstructs genre as
the figural deployment of symbolic power. One purpose of this
approach is to reconcile the recent dismantling of representational
and classificatory genres with the incipient notion in
post-Althusser Marxism that genre is the crucial mediation between
history and aesthetics. Snyder extends certain implications of
Aristotle, Benjamin, Bakhtin, Foucault, and Serres. He also offers
the first antisystem yet comprehensive genre theory to serve as a
fully distinct alternate to Frye's formalist and Genette's
structuralist schemes. Finally, Snyder's theory of genre as power
opens a way to a fundamentally new theory of literature itself:
that aesthetic language deployed as power organizes itself as
generic intervention. Three historically dynamic configurations
establish the range of all possible genres -- tragedy as power
politically deployed as mimesis, satire as power rationally
deployed as rhetoric, and the essay as power textually deployed as
constative rhetoric. Specific analyses developing this important
new theory cover a broad spectrum of literature, from classical to
contemporary. Other genres, different media, and a variety of
subgenres and modes political and religious -- all acquire fresh
significance from the elaborations of Snyder's three selected
genres.
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