A theory of art may be many things, from a complex philosophical
treatise to a few basic observations jotted down by an artist that
illumine the direction of his work. The late eighteenth-and
nineteenth-century writings gathered here were selected not because
they completely formulate systems governing art, but because they
were closely allied with artists responded, and some were composed
by critics or historians who were in close touch with the artists
and sought to explain their artistic goals.
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