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Contextualizing Melodrama in the Czech Lands - In Concert and on Stage (Paperback)
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Contextualizing Melodrama in the Czech Lands - In Concert and on Stage (Paperback)
Series: Ashgate Interdisciplinary Studies in Opera
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The mention of the term "melodrama" is likely to evoke a response
from laymen and musicians alike that betrays an acquaintance only
with the popular form of the genre and its greatly heightened
drama, exaggerated often to the point of the ridiculous. Few are
aware that there exists a type of melodrama that contains in its
smaller forms the beauty of the sung ballad and, in the
larger-scale works, the appeal of the spoken play. This category of
melodrama is one that surfaced in many cultures but was perhaps
never so enthusiastically cultivated as in the Czech lands. The
melodrama varied greatly at the hands of its Czech advocates. While
the works of Zdenek Fibich and his contemporary Josef Bohuslav
Foerster, a composer best known for his songs, remained closely
bound to the text, those of conductor/composer Otakar Ostrcil
reveal a stance that privileged the music and, given their
creator's orchestral experience, are more reminiscent of the
symphonic poem. Fibich in his staged works and Josef Suk
(composer/violinist and Dvorak's son-in-law), in his incidental
music reflect variously late nineteenth-century Romanticism, the
influence of Wagner, and early manifestations of Impressionism. In
its more recent guise, the principles of the staged melodrama
reside quite comfortably in the film score. Judith A. Mabary's
important volume will be of interest not only to musicologists, but
those working in Central and East European studies, voice studies,
European theatre, and those studying music and nationalism.
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