Julie Ren investigates the motivations and practices of making art
spaces in Beijing and Berlin to engage with comparative urbanism as
a framework for doing research, beyond its significance as a
critical intervention. Across vastly different contexts, where
universal theories of modernity or development seem increasingly
misplaced, she innovatively explores the ways that art spaces
employ creative capital to sustain themselves in a competitive
urban landscape. She shows how these art spaces are embedded within
a politics of aspiration and demonstrates that aspiration is an
important lens through which to understand the nature of, and
possibilities for, urban change.
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