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Framing First Contact - From Catlin to Russell (Hardcover)
Loot Price: R1,126
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Framing First Contact - From Catlin to Russell (Hardcover)
Series: The Charles M. Russell Center Series on Art and Photography of the American West
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Representations of first contact - the first meetings of European
explorers and Native Americans - have always had a central place in
our nation's historical and visual record. They have also had a key
role in shaping and interpreting that record. In Framing First
Contact author Kate Elliott looks at paintings by artists from
George Catlin to Charles M. Russell and explores what first contact
images tell us about the process of constructing national myths -
and how those myths acquired different meanings at different points
in our nation's history. First contact images, with their focus on
beginnings rather than conclusive action or determined outcomes,
might depict historical events in a variety of ways. Elliott argues
that nineteenth century artists, responding to the ambiguity and
indeterminacy of the subject, used the visualized space between
cultures meeting for the first time to address critical
contemporary questions and anxieties. Taking works from the 1840s
through the 1910s as case studies - paintings by Robert W. Weir,
Thomas Moran, and Albert Bierstadt, along with Catlin and Russell -
Elliott shows how many first contact representations, especially
those commissioned and conceived as official history, speak
blatantly of conquest, racial superiority, and imperialism. And
yet, others communicate more nuanced messages that might surprise
contemporary viewers. Elliott suggests it was the very openness of
the subject of first contact that allowed artists, consciously or
not, to speak of contemporary issues beyond imperialism and
conquest. Uncovering those issues, Framing First Contact forces us
to think about why we tell the stories we do, and why those stories
matter.
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