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Dirty Politics - Deception, Distraction, and Democracy (Paperback, Reissue)
Loot Price: R458
Discovery Miles 4 580
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Dirty Politics - Deception, Distraction, and Democracy (Paperback, Reissue)
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Loot Price R458
Discovery Miles 4 580
Expected to ship within 12 - 17 working days
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An attempt to determine the extent to which TV has contributed to
the manipulation of political campaigns - and what can be done
about it; by Jamieson (Communication/Univ. of Penn.; Eloquence in
an Electronic Age, 1988, etc.). Jamieson proceeds from an analysis
of attack-campaigning (she finds, unsurprisingly, that sloganeering
has characterized politics since the days of the Founding Fathers,
but that TV heightens its visual appeal) through a consideration of
the relationship between news and ads (Jamieson argues that the
difference between the two is becoming blurred) to a discussion of
news coverage in general (she illustrates the critical role that
coverage has played in shaping campaigns). Her lengthiest case
study is of the Willie Horton affair, where she subtly demonstrates
that "what is shown is not necessarily what is seen and what is
said is not always what is heard." Thus, much was made in the 1988
campaign of 268 convicts who jumped furlough during Governor
Dukakis's first two terms, with the suggestion implicit that all
were murderers - but in fact only four were first-degree murderers
not eligible for parole, and only one, Horton himself, went on to
kidnap and rape. Jamieson describes the techniques of the
attack-ad: quick cuts; black-and-white or darkly colored images;
shadowed lighting; the voice of a seemingly "neutral" announcer;
ominous music; a rapid sequence of images that reduces ability to
scrutinize information. But the ways in which attack-ads are dealt
with - counterattack; prior warning to alert viewers that
attack-ads may be expected; the use of humor to defuse them; the
willingness to call campaigners personally to account for ads'
errors - are, she says, still in the early stages. Familiar
examples and few new insights, but, still, a cogent and evenhanded
summary of generally available information about the influence of
TV on politicking. (Kirkus Reviews)
An in-depth examination of the extent to which the traditional genres of campaign discourse are being reduced to visually evocative ads with the boundaries between news and ads blurring in the process.
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