There is nothing like Keith Vaughan's Journals. They represent
one of the greatest pieces of confessional writing of the
twentieth-century. Keith Vaughan was a painter and belonged to the
Neo-Romantic group, other members including Graham Sutherland, John
Minton, Michael Ayrton, Ceri Richards, John Piper and John Craxton.
He was also gay and much troubled by his sexuality. 'Faced at the
age of 27 with what then seemed the likelihood of imminent
extinction before I had properly got started', he began the
Journals in 1939 and only finished them at the very moment of his
suicide in 1977.
The Journals are edited by Alan Ross, and in his words they are
'a self-portrait of astonishing honesty: devoid of disguise in any
shape or form, or hypocrisy. It is difficult to think of anything
in literature they resemble.' The earlier Journals, covering his
war and his period of greatest creativity in the late 1940s and
1950s, 'are revealing for the light they shed on a painter's
character and, to a lesser extent, working methods.' The last
Journals chronicle 'a descent into hell . . . redeemed by their
frankness, spleen and dry humour.'
First published in 1966 and then reissued in amplified form in
1989, it is the latter version Faber Finds is reissuing. The fuller
edition itself has been out of print for a long time, so its
renewed availability will be welcome.
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