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Staging Britain's Past - Pre-Roman Britain in Early Modern Drama (Paperback)
Loot Price: R1,059
Discovery Miles 10 590
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Staging Britain's Past - Pre-Roman Britain in Early Modern Drama (Paperback)
Series: Arden Studies in Early Modern Drama
Expected to ship within 9 - 15 working days
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Staging Britain's Past is the first study of the early modern
performance of Britain's pre-Roman history. The mythic history of
the founding of Britain by the Trojan exile Brute and the
subsequent reign of his descendants was performed through texts
such as Norton and Sackville's Gorboduc, Shakespeare's King Lear
and Cymbeline, as well as civic pageants, court masques and royal
entries such as Elizabeth I's 1578 entry to Norwich. Gilchrist
argues for the power of performed history to shape early modern
conceptions of the past, ancestry, and national destiny, and
demonstrates how the erosion of the Brutan histories marks a
transformation in English self-understanding and identity. When
published in 1608, Shakespeare's King Lear claimed to be a "True
Chronicle History". Lear was said to have ruled Britain centuries
before the Romans, a descendant of the mighty Trojan Brute who had
conquered Britain and slaughtered its barbaric giants. But this was
fake history. Shakespeare's contemporaries were discovering that
Brute and his descendants, once widely believed as proof of
glorious ancient origins, were a mischievous medieval invention.
Offering a comprehensive account of the extraordinary theatrical
tradition that emerged from these Brutan histories and the reasons
for that tradition's disappearance, this study gathers all known
evidence of the plays, pageants and masques portraying Britain's
ancient rulers. Staging Britain's Past reveals how the loss of
England's Trojan origins is reflected in plays and performances
from Gorboduc's powerful invocation of history to Cymbeline's
elegiac erosion of all notions of historical truth.
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