Marriage is a central concern in five of the seven extant plays
of the Greek tragedian Sophocles. In this pathfinding study, Kirk
Ormand delves into the ways in which these plays represent and
problematize marriage, thus offering insights into how Athenians
thought about the institution of marriage.
Ormand takes a two-fold approach. He first explores the legal
and economic underpinnings of Athenian marriage, an institution
designed to guarantee the legitimate continuation of patrilineal
households. He then shows how Sophocles' plays Trachiniae, Electra,
Antigone, Ajax, and Oedipus Tyrannus both reinforce and critique
this ideology by representing marriage as a homosocial exchange
between men, in which women are objects who may attempt--but always
fail--to become self-acting subjects.
These fresh readings provide the first systematic study of
marriage in Sophocles. They draw important connections between
drama and marriage as rituals concerned with controlling
potentially disruptive female subjectivities.
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