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The Tenth Muse - Writing about Cinema in the Modernist Period (Hardcover, New)
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The Tenth Muse - Writing about Cinema in the Modernist Period (Hardcover, New)
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The Tenth Muse explores writings on the cinema in the first decades
of the twentieth century. Laura Marcus examines the impact of
cinema on early twentieth-century literary and, more broadly,
aesthetic and cultural consciousness, by bringing together the
study of the terms and strategies of early writings about film with
literary engagement with cinema in the same period. She gives a new
understanding of the ways in which early writers about film -
reviewers, critics, theorists - developed aesthetic categories to
define and accommodate what was called 'the seventh art' or 'the
tenth muse' and found discursive strategies adequate to the
representation of the new art and technology of cinema, with its
unprecedented powers of movement. In examining the writings of
early film critics and commentators in tandem with those of more
specifically literary figures, including H.G.Wells and Virginia
Woolf, and in bringing literary texts into this field, Laura Marcus
provides a new account of relationships between cinema and
literature. Intertwining two major strands of research - the
exploration of early film criticism and theory and cinema's
presence in literary texts - The Tenth Muse shows how issues
central to an understanding of cinema (including questions of time,
repetition, movement, vision, sound and silence) are threaded
through both kinds of writing, and the ways in which discursive and
fictional writings overlapped. The movement that defined cinema was
also perceived as a more fragile and unstable ephemerality that
inhered at every level, from the fleeting nature of the projected
images to the vagaries of cinematic exhibition. It was the anxiety
over the mutability of the medium and its exhibition which, from
the 1920s onwards, led to the establishment of such institutional
spaces for cinema as the London-based Film Society, the new film
journals, and, in the 1930s, the first film archives. The Tenth
Muse explores the continuities between these sites of cinematic
culture and the conceptual, literary and philosophical
understandings of the filmic medium.
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