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Arts of Impoverishment - Beckett, Rothko, Resnais (Paperback)
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Arts of Impoverishment - Beckett, Rothko, Resnais (Paperback)
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Why taunt and flout us, as Beckett's writing does? Why discourage
us from seeing, as Mark Rothko's paintings often can? Why
immobilize and daze us, as Alain Resnais' films sometimes will?
Why, Leo Bersnai and Ulysse Dutoit ask, would three acknowledged
masters of their media make work deliberately opaque and
inhospitable to an audience? This book shows how such crippling
moves may signal a profoundly original - and profoundly
anti-modernist - renunciation of art's authority. Our culture,
while paying little attention to art, puts great faith in its
edifying and enlightening value. Yet Beckett's threadbare plays
"Company" and "Worstword Ho", so insistent on their poverty of
meaning; Rothko's nearly monochromatic paintings in the Houston
Chapel; Resnais' intensly self-contained, self-referential films
"Night and Fog" and "Muriel" all seem to say "I have little to show
you, little to tell you, nothing to teach you." Bersnai and Dutoit
consider these works as acts of resistance; by inhibiting our
movement toward them, they purposely frustrate our faith in art as
a way of appropriating and ultimately mastering reality. As this
book demonstrates, these artists train us in new modes of mobility,
which differ from the moves of an appropriating consciousness. As a
form of cultural resistance, a rejection of a view of reality -
both objects and human subjects - as simply there for the taking,
this training may even give birth to a new kind of political power,
one paradoxically consistent with the renunciation of authority.
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