Reconstructs a dialogue between objectifiers (American Puritans,
slaveowners) and objectifieds (Native Americans, slaves) by arguing
that the literature of race in antebellum America is the continuing
story of an encounter with the grotesque. The focus is on
literature-from Puritan captivity accounts, fugitive slave
narratives, and proslavery fiction to the work of Melville, Stowe,
Douglass, and their contemporaries. But Cassuto also ranges from
colonial prodigies to nineteenth-century freak shows and Sambo
stereotyping, from horror movies to the Holocaust Museum.
General
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