Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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Misere - The Visual Representation of Misery in the 19th Century (Hardcover)
Loot Price: R587
Discovery Miles 5 870
You Save: R163
(22%)
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Misere - The Visual Representation of Misery in the 19th Century (Hardcover)
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List price R750
Loot Price R587
Discovery Miles 5 870
You Save R163 (22%)
Expected to ship within 12 - 17 working days
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The coming of the Industrial Revolution in the early 19th century
witnessed unprecedented changes in society: rapid economic progress
went hand-in-hand with appalling working conditions, displacement,
squalor and destitution for those at the bottom of the social
scale. These new circumstances presented a challenge to
contemporary image-makers, who wished to capture the effects of
hunger, poverty and alienation in Britain, Ireland and France in
the era before documentary photography. In this groundbreaking
book, the eminent art historian Linda Nochlin examines the styles
and expressive strategies that were used by artists and
illustrators to capture this misere, roughly characterized as
poverty that afflicts both body and soul. She investigates images
of the Irish Famine in the period 1846-51; the gendered
representation of misery, particularly of poor women and
prostitutes; and the work of three very different artists: Theodore
Gericault, Gustave Courbet and the less wellknown Fernand Pelez.
The artists' desire to depict the poor and the outcast accurately
and convincingly is still a pertinent issue, though now, as Nochlin
observes, the question has a moral and ethical dimension - does the
documentary style belittle its subjects and degrade their
condition?
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