The work of the eminent French cultural critic Louis Marin
(1931-92) is becoming increasingly important to English-speaking
scholars concerned with issues of representation. "To Destroy
Painting", first published in France in 1977, marks a milestone in
Marin's thought about the aims of painting in Europe in the
sixteenth and seventeenth centuries. A meditation on the work of
Poussin and Caravaggio and on their milieux, the book explores a
number of notions implied by theories of painting and offers
insight into the aims and effects of visual representaion.
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