Michael analyzes the intersections between feminist politics and
postmodern aesthetics as demonstrated in recent Anglo-American
fiction. While much has been written on various aspects of
postmodernism and postmodern fiction and of feminism and feminist
fiction, very little attention has been given to the postmodern
aesthetic strategies that surface in post-World War II feminist
fiction. Feminism and the Postmodern Impulse examines ways in which
many widely read and acclaimed novels with feminist impulses engage
and transform subversive aesthetic strategies usually associated
with postmodern fiction to strengthen their feminist political
edge.
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