Worldmaking takes many forms in early modern literature and thus
challenges any single interpretive approach. The essays in this
collection investigate the material stuff of the world in Spenser,
Cary, and Marlowe; the sociable bonds of authorship, sexuality, and
sovereignty in Shakespeare and others; and the universal status of
spirit, gender, and empire in the worlds of Vaughan, Donne, and the
dastan (tale) of Chouboli, a Rajasthani princess. Together, these
essays make the case that to address what it takes to make a world
in the early modern period requires the kinds of thinking
exemplified by theory.
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