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The Dorset Rotulus - Contextualizing and Reconstructing the Early English Motet (Hardcover)
Loot Price: R2,992
Discovery Miles 29 920
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The Dorset Rotulus - Contextualizing and Reconstructing the Early English Motet (Hardcover)
Series: Studies in Medieval and Renaissance Music
Expected to ship within 12 - 17 working days
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The exciting discovery of new music from the Middle Ages sheds new
light on knowledge of the medieval motet. From its origins in the
thirteenth century, the Latin-texted motet in England and France
became the most significant and diverse polyphonic genre of the
fourteenth, a body of music important both for its texts and its
variety of musical structures. However, although the motet in
England plays a vital role in the music-historical narrative of the
first decades of the 1300s, it has too often been overlooked in
modern scholarship, due largely to its preservation in numerous but
almost entirely fragmentary sources. In 2017, substantial new
fragments of medieval polyphony came to light. They originated at
the Benedictine monastery of Abbotsbury, a major institution
located high above Chesil Beach on Dorset's Jurassic Coast. The two
leaves once headed an imposing musical scroll, and preserve
significant portions of four large-scale Latin-texted motets from
early fourteenth-century England. Discovery of this source brings
to the fore a massive seven-section motet on St Margaret, hitherto
known only through highly fragmentary snippets of two of its four
voices, as well as a unicum with extraordinary features addressed
to the Virgin Mary and St Nicholas. When coupled with the remaining
motets, one on the Ascension and the other on the Virgin Mary, the
Dorset motets expand our understanding of how the English developed
their own approaches to the genre, forging styles and techniques
quite independently of the continental norms against which earlier
scholarship has judged (and sometimes demeaned) them. This book
introduces the manuscript and its provenance in Abbotsbury, relates
it to other scrolls of late medieval music, contextualizes its
motets within the larger corpus of contemporary Latin-texted
motets, and analyses and reconstructs each of the motets, providing
complete performable transcriptions of three of these compositions
as well as three of its large-scale comparands. Spurred by the
Dorset discovery, this monograph, the first in thirty-five years
devoted to the medieval motet in England, offers a new evaluation
of the richness of the English repertory in its own terms.
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