Ancient and modern Egypt feature in numerous fantastic stories by
Victorian and Edwardian writers. This book explores how works of
popular Egyptianising fantastic literature can be read as critical
texts which comment on the Oriental mind-set of Europe, and
especially Britain. The analysis of the genre and the discussion of
possible reasons for the frequent use of Egyptianising elements
show that Egypt was simultaneously a real and an imagined place - a
perfect ingredient to create gothic stories and magical events,
and, at the same time, of specific interest to Great Britain for
cultural and political reasons.
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