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The Liturgy of Love - Images from the "Song of Songs" in the Art of Cimabue, Michelangelo, and Rembrandt (Hardcover, illustrated edition)
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The Liturgy of Love - Images from the "Song of Songs" in the Art of Cimabue, Michelangelo, and Rembrandt (Hardcover, illustrated edition)
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Three essays explore three great masterworks of European art that
visualize the relationship between spiritual and physical love
expressed passionately and graphically in the biblical Song of
Songs. Marilyn Aronberg Lavin writes on Cimabue's vast fresco cycle
of the Virgin in the apse of San Francesco in Assisi, at the
threshold of the Renaissance, where the Franciscan belief in the
bodily Assumption is couched in terms of the Old Testament love
poem. Irving Lavin demonstrates how the invocation of love in the
Song of Songs molded the form of Michelangelo's Medici Madonna as
well as his concept for the entire design and meaning of the Medici
mortuary chapel in San Lorenzo, Florence. Writing together, the
Lavins reveal the generative power of biblical fulfillment in
Rembrandt's famous portrayal of a loving couple, called The Jewish
Bride. Marilyn Aronberg Lavin is known for her fundamental work on
the history of mural decoration in the churches of Italy, and is
the recipient of the coveted Morey Award for Distinguished
Scholarship from the College Art Association. Irving Lavin,
Professor in the School of Historical Studies, Institute of
Advanced Study, Princeton, NJ, is best known for his work on the
Italian Baroque sculpture Gianlorenzo Bernini, but his publications
range over a wide span of Western art, from Late Antiquity to
Jackson Pollock. Marilyn Lavin has been a visiting professor at
Princeton University since 1975. Irving Lavin holds the chair in
art history at the Institute for Advanced Study, Princeton, New
Jersey.
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