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Flemish and Dutch Artists in Early Modern England - Collaboration and Competition, 1460-1680 (Paperback)
Loot Price: R1,592
Discovery Miles 15 920
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Flemish and Dutch Artists in Early Modern England - Collaboration and Competition, 1460-1680 (Paperback)
Series: Visual Culture in Early Modernity
Expected to ship within 12 - 17 working days
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Total price: R1,612
Discovery Miles: 16 120
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By examining their production practices in a variety of
genres"including manuscript illustration, glass painting and
staining, tapestry manufacture, portrait painting, and
engraving"this book explores how Netherlandish artists migrating to
England in the early modern period overcame difficulties raised by
their outsider status. This study examines, for the first time in
this context, the challenges of alien status to artistic production
and the effectiveness of cooperation as a countermeasure. The
author demonstrates that collaboration was chief among the
strategies that these foreigners chose to secure a position in
London's changing art market. Curd's exploration of these
collaborations primarily follows Pierre Bourdieu's model of
"establishment and challenger" in which dominance in a field of
cultural production depends upon how much cultural, political, and
economic capital can be accumulated and the effectiveness of the
strategies used to confront competition. The analysis presented
here challenges received opinion that a collaborative work is only
a joint effort of artists working together on a single monument by
demonstrating that the participation of patrons and middlemen can
also shape the final appearance of a work of art. Furthermore, this
book shows that the strategic use of collaboration served the goal
of competition by helping to establish foreign artists in the
London art market and suggests that their coping strategies have
implications for the study of immigrant behaviors today.
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