Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > Post-Impressionism
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Critical Readings in Impressionism and Post-Impressionism - An Anthology (Paperback)
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Critical Readings in Impressionism and Post-Impressionism - An Anthology (Paperback)
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Total price: R1,025
Discovery Miles: 10 250
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The essays in this wide-ranging, beautifully illustrated volume
capture the theoretical range and scholarly rigor of recent
criticism that has fundamentally transformed the study of French
Impressionist and Post-Impressionist art. Readers are invited to
consider the profound issues and penetrating questions that lie
beneath this perennially popular body of work as the contributors
examine the art world of late nineteenth-century France - including
detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot,
Seurat, Van Gogh, and Gauguin. The authors offer fascinating new
perspectives, placing the artworks from this period in wider social
and historical contexts. They explore these painters' pictorial and
market strategies, the critical reception and modern criteria the
paintings engendered, and the movement's historic role in the
formation of an avant-garde tradition. Their research reflects the
wealth of new documents, critical approaches, and scholarly
exhibitions that have fundamentally altered our understanding of
Impressionism and Post-Impressionism. These essays, several of
which have previously been familiar only to scholars, provide
instructive models of in-depth critical analysis and of the
competing art historical methods that have crucially reshaped the
field. Contributors of this title include: Carol Armstrong, T. J.
Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L.
Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda
Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha
Ward.
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