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The Silent Rhetoric of the Body - A History of Monumental Sculpture and Commemorative Art in England, 1720-1770 (Hardcover)
Loot Price: R1,867
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The Silent Rhetoric of the Body - A History of Monumental Sculpture and Commemorative Art in England, 1720-1770 (Hardcover)
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This illuminating and original book opens up a neglected corner of
eighteenth-century art - the funeral monument. In the last forty
years, studies of the satires of early and mid-eighteenth-century
England have multiplied, whereas its funerary monuments have been
neglected by all but a small group of enthusiasts. This book
redresses the balance and demonstrates that tombs and inscriptions
are of manifest worth to the student of eighteenth-century English
value systems, providing as they do an archaeology of ideal types.
Across the genres of art, there is, perhaps, no better register of
shifting notions of correct behaviour, in life and in death.
Matthew Craske looks closely for the first time at tomb sculptures
in their social context. He discusses a large number of monuments
by many different sculptors, all with a knowledge of the person
commemorated and the circumstances behind the commission, resulting
in a work of great scholarly density and originality that probes
the motives behind the imagery and the epitaph. He begins by
analysing the relationship of tomb designs to the changing and
diverse culture of death in the eighteenth century, and then
explains conditions of production and the shifting dynamics of the
market, concluding with a masterly analysis of the motivations of
those who commissioned monuments, including women and ranging from
aristocrats to merchants and professional people. This handsomely
illustrated book presents a unique history of death, fame, example
and attitudes to loss, as well as a remarkable art history.
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