Books > Arts & Architecture > Art forms, treatments & subjects > Sculpture & other three-dimensional art forms > Sculpture
|
Buy Now
Elizabeth Catlett - An American Artist in Mexico (Paperback, annotated edition)
Loot Price: R797
Discovery Miles 7 970
|
|
Elizabeth Catlett - An American Artist in Mexico (Paperback, annotated edition)
Expected to ship within 12 - 17 working days
|
Elizabeth Catlett, born in Washington, DC, in 1915, is widely
acknowledged as a major presence in African American art, and her
work is celebrated as a visually eloquent expression of African
American identity and pride in cultural heritage. But this is not
the whole story. She has lived in Mexico for 50 years, as a citizen
of that country since 1962, and she and her husband, artist
Francisco Mora, have raised their children there. For 20 years she
was a member of the Taller de Grafica Popular (Popular Graphic Arts
Workshop) and she was the first woman professor of sculpture at the
Universidad Nacional Autonoma de Mexico. Her extraordinary career
has stretched from her years as a student at Howard University
during the 1930s through various political and social
movements-including the Chicago Renaissance of the 1940s, the Black
Power and Black Arts movements, the Mexican Public Art Movement,
and feminism-which have informed her art. This richly illustrated
and informative monograph is the first to document the full range
of Catlett's life and work. In addition to thoroughly researching
primary source materials and to critiquing individual art works
with sensitivity and erudition, the author has conducted numerous
interviews with Catlett and has analyzed with clarity the political
context of her work and her diverse sympathies and allegiances.
Herzog examines key artistic influences and shows how Catlett
transformed an extraordinary stylistic vocabulary into a socially
charged statement. In tracing Catlett's long and continuing career
as a graphic artist and sculptor in Mexico, Herzog explores an
important period in Catlett's life between the 1950s and the 1970s
about which almost nothing is known in the United States. She
examines the "Mexicanness" in Catlett's work in its fluent
relationship to the underlying and constant sense of African
American identity she brought with her to Mexico. Herzog's solidly
grounded interpretation offers a new way to understand Catlett's
work and reveals this artist as a fascinating and pivotal
intercultural figure whose powerful art manifests her firm belief
that the visual arts can play a role in the construction of a
meaningful identity, both transnational and ethnically grounded.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.