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Skepticism’s Pictures - Figuring Descartes’s Natural Philosophy (Hardcover)
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Skepticism’s Pictures - Figuring Descartes’s Natural Philosophy (Hardcover)
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In seventeenth-century northern Europe, as the Aristotelian
foundations of scientia were rocked by observation, experiment,
confessional strife, and political pressure, natural philosophers
came to rely on the printed image to fortify their
epistemologies—and none more so than René Descartes. In
Skepticism’s Pictures, historian of science Melissa Lo chronicles
the visual idioms that made, sustained, revised, and resisted
Descartes’s new philosophy. Drawing on moon maps, political
cartoons, student notebooks, treatises on practical mathematics,
and other sources, Lo argues that Descartes transformed natural
philosophy with the introduction of a new graphic language that
inspired a wide range of pictorial responses shaped by religious
affiliation, political commitment, and cultural convention. She
begins by historicizing the graphic vocabularies of Descartes’s
Essais and Principia philosophiae and goes on to analyze the
religious and civic volatility of Descartes’s thought, which
compelled defenders (such as Jacques Rohault and Wolferd Senguerd)
to reconfigure his pictures according to their local visual
cultures—and stimulated enemies (such as Gabriel Daniel) to
unravel Descartes’s visual logic with devastating irony. In the
epilogue, Lo explains why nineteenth-century French philosophers
divorced Descartes’s thought from his pictures, creating a modern
image of reason and a version of philosophy absent visuality.
Engaging and accessible, Skepticism’s Pictures presents an
exciting new approach to Descartes and the visual reception of
seventeenth-century physics. It will appeal to historians of early
modern European science, philosophy, art, and culture and to art
historians interested in histories that give images their
argumentative power.
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