In this title, first published in 1985, Michael Bristol draws on
several theoretical and critical traditions to study the nature and
purpose of theatre as a social institution: on Marxism, and its
revisions in the work of Mikhail Bakhtin; on the theories of Emile
Durkheim and their adaptations in the work of Victor Turner; and on
the history of social life and material culture as practiced by the
Annales school. This valuable work is an important contribution to
literary criticism, theatre studies and social history and has
particular importance for scholars interested in the dramatic
literature of Elizabethan England.
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