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Invalid Modernism - Disability and the Missing Body of the Aesthetic (Hardcover)
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Invalid Modernism - Disability and the Missing Body of the Aesthetic (Hardcover)
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Invalid Modernism contributes to an intersectional moment in
disability studies by looking at modernist aesthetics through a
'defamiliar body'. It also offers an intersectional understanding
of modernism by studying the representation of physical and
cognitive difference during a period marked by progressive reforms
in health, labor, and welfare. Readings of texts by Henry James,
Samuel Beckett, Virginia Woolf, William Carlos Williams, James
Joyce, Djuna Barnes, Oscar Wilde, F.T. Marinetti, Jean Toomer, an
opera by Alexander Zemlinsky, and paintings and constructions by
dadaists and surrealists are set against the historical
developments in sexology, medical discourse, and the
pseudo-sciences of eugenics and anthropometry. Modernist works are
well known for challenging formal features of narration and
representation, but it is seldom observed that this challenge has
often been enabled by figures of shell-shocked veterans, tubercular
heroines, blind soothsayers, invalid aesthetes, and neurasthenic
women. Such figures complicate an aesthetics of autonomy by which
modernism is often understood. Since its evolution in the
eighteenth century, aesthetics has been seen in terms of judgments
based on detached appreciation. What begins as a highly privative,
sensate response to an object or natural formation results in a
disinterested judgment about the value of that response. By looking
at modernist aesthetics through a disability optic, Invalid
Modernism attempts to restore the missing body to aesthetics by
disclosing a structure of feeling around dramatic changes in
modernity. These changes are registered on and through the bodies
and minds of figures considered in medical discourse of the period
as 'invalid' citizens and subjects.
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