Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, c 1600 to c 1800
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Red Kant: Aesthetics, Marxism and the Third Critique (Hardcover)
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Red Kant: Aesthetics, Marxism and the Third Critique (Hardcover)
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Is Kant really the 'bourgeois' philosopher that his advocates and
opponents take him to be? In this bold and original re-thinking of
Kant, Michael Wayne argues that with his aesthetic turn in the
Third Critique, Kant broke significantly from the problematic
philosophical structure of the Critique of Pure Reason. Through his
philosophy of the aesthetic Kant begins to circumnavigate the
dualities in his thought. In so doing he shows us today how the
aesthetic is a powerful means for imagining our way past the
apparent universality of contemporary capitalism. Here is an
unfamiliar Kant: his concepts of beauty and the sublime are
reinterpreted as attempts to socialise the aesthetic while Wayne
reconstructs the usually hidden genealogy between Kant and
important Marxist concepts such as totality, dialectics, mediation
and even production. In materialising Kant's philosophy, this book
simultaneously offers a Marxist defence of creativity and
imagination grounded in our power to think metaphorically and in
Kant's concept of reflective judgment. Wayne also critiques aspects
of Marxist cultural theory that have not accorded the aesthetic the
relative autonomy and specificity which it is due. Discussing such
thinkers as Adorno, Bourdieu, Colletti, Eagleton, Lukacs, Ranciere
and others, Red Kant: Aesthetics, Marxism and the Third Critique
presents a new reading of Kant's Third Critique that challenges
Marxist and mainstream assessments of Kant alike.
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