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Death and the Labyrinth - World of Raymond Roussel (Hardcover)
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Death and the Labyrinth - World of Raymond Roussel (Hardcover)
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During the early 1960's, Foucault briefly put aside the final
drafts of Madness and Civilization to write this - his only work
centered on a single author. Attracted to Roussel precisely because
he was a neglected author - "not part of the great literary
patrimony" - Foucault wrote this study quickly and with little
revision. The haste of composition, the specifically literary
focus, and the choice of a nearly contemporary subject (Roussel
lived from 1877-1933) all make this newly translated work a
decidedly unusual posthumous offering from this magisterial
anti-historian and excavator of myth. Roussel's work survives only
as an influence on the development of the French "new novel,"
particularly the work of Robbe-Grillet. In the 1983 interview that
concludes this volume (Foucault died in 1984), he mentions that he
decided to write on Roussel shortly after visiting a fun-house with
Robbe-Grillet (ah, these French!); and that his friend's Le Voyeur
had originally been titled La Vue in homage to Roussel, whose poem
of the same title appeared in 1904. Roussel's style is a punning
one: his first published work, a novel-inverse, is titled La
Doublure, meaning both "The Understudy" and "The Lining." His work
is obsessive and repetitive. He bracketed thoughts by structuring
his sentences within multiple parentheses - sometimes as many as
five within a single sentence. Foucault suggests that life imitated
art in Roussel's manner of death - his 1933 suicide within a locked
room paralled his no-exit grammatical formulations. If this is one
of Foucault's more bizarre conceits, there are many points at which
the analysis truly soars: "Roussel's experiment is located in what
could be called the 'tropological space' of vocabulary. . . It is
not where the canonical figures of speech originate, but that
neutral space within language where the hollowness of the word is
shown as an insidious void, a trap." Interesting to see Foucault -
some 25 years ago - flirting with the Derridean abyss. Anyone
interested in avant-garde writing and postmodernism will be
fascinated with Foucault's analysis. And if this does not compare
in scale with such monumental achievements as Madness and
Civilization and The History of Sexuality - if it remains something
of a miniature and a curio - it is nonetheless quite beautifully
wrought. (Kirkus Reviews)
Major study in literary theory, criticism and psychology.
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