Enide's tattered dress and Erec's fabulous coronation robe;
Yvain's nudity in the forest, which prevents maidens who know him
well clothed from identifying him; Lanval's fairy-lady parading
about in the Arthurian court, scantily dressed, for all to observe:
just why is clothing so important in twelfth-century French
romance? This interdisciplinary book explores how writers of this
era used clothing as a signifier with multiple meanings for many
narrative purposes. Clothing figured prominently in twelfth-century
France, where exotic fabrics and furs came to define a social
elite. Monica Wright shows that representations of clothing are not
mere embellishments to the text; they help form the textual weave
of the romances in which they appear. This book is about how these
descriptions are constructed, what they mean, and how clothing
becomes an active part of romance composition--the ways in which
writers use it to develop and elaborate character, to advance or
stall the plot, and to structure the narrative generally.
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