This is an analytical survey of the thought about painting and
sculpture as it unfolded from the early eighteenth to the
mid-nineteenth centuries. This was the period during which theories
of the visual arts, particularly of painting and sculpture,
underwent a radical transformation, as a result of which the
intellectual foundations of our modern views on the arts were
formed. Because this transformation can only be understood when
seen in a broad context of cultural, aesthetic, and philosophical
developments of the period, Moshe Barasch surveys the opinions of
the artists, and also treats in some detail the doctrines of
philosophers, poets, and critics. Barasch thus traces for the
reader the entire development of modernism in art and art theory.
General
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