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Claes Oldenburg (Paperback)
Loot Price: R913
Discovery Miles 9 130
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Claes Oldenburg (Paperback)
Series: October Files, 13
Expected to ship within 18 - 22 working days
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Contemporary criticism, interviews, scholarly reassessments, and
texts by the artist focusing on Claes Oldenburg's sculptures,
installations, and multimedia performances between 1960 and 1965.
Claes Oldenburg (born in 1929) is largely known today as a pop art
sculptor. Oldenburg himself described his formless canvas and vinyl
soft sculptures-gigantic hamburgers and ice cream cones, cushiony
toilets and typewriters-as "objects that elude definition." This
collection of writings revisits not only Oldenburg's soft objects
from the early to mid 1960s but also his pioneering installations
The Street (1960) and The Store (1961-1962) and his often
overlooked multimedia performances. As the artist translated his
ideas and beliefs into various media and formats, his work drew on
a range of styles and schools, including abstract expressionism,
Happenings, pop art, minimalism, and postminimalism. Perhaps
because of their refusal to be classified, these artworks are as
contemporary today as they were when they were created between 1960
and 1965. This collection serves both as a summation of early
critical thinking on Oldenburg's art and a starting point for
consideration of the artist as a forerunner of current art trends
of stylelessness and intermediality. It includes both contemporary
criticism and more recent scholarly reassessments, interviews with
the artist, and Oldenburg's own unpublished manifesto on the Ray
Gun Theater (the artist's name for his performance series in the
back of The Store).
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