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The Stakes of Exposure - Anxious Bodies in Postwar Japanese Art (Paperback)
Loot Price: R870
Discovery Miles 8 700
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The Stakes of Exposure - Anxious Bodies in Postwar Japanese Art (Paperback)
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How would artistic practice contribute to political change in
post-World War II Japan? How could artists negotiate the imbalanced
global dynamics of the art world and also maintain a sense of
aesthetic and political authenticity? While the contemporary art
world has recently come to embrace some of Japan's most daring
postwar artists, the interplay of art and politics remains poorly
understood in the Americas and Europe. The Stakes of Exposure fills
this gap and explores art, visual culture, and politics in postwar
Japan from the 1950s to the 1970s, paying special attention to how
anxiety and confusion surrounding Japan's new democracy manifested
in representations of gender and nationhood in modern art. Through
such pivotal postwar episodes as the Minamata Disaster, the Lucky
Dragon Incident, the budding antinuclear movement, and the ANPO
protests of the 1960s, The Stakes of Exposure examines a wide range
of issues addressed by the period's prominent artists, including
Tanaka Atsuko and Shiraga Kazuo (key members of the Gutai Art
Association), Katsura Yuki, and Nakamura Hiroshi. Through a close
study of their paintings, illustrations, and assemblage and
performance art, Namiko Kunimoto reveals that, despite dissimilar
aesthetic approaches and divergent political interests, Japanese
postwar artists were invested in the entangled issues of gender and
nationhood that were redefining Japan and its role in the world.
Offering many full-color illustrations of previously unpublished
art and photographs, as well as period manga, The Stakes of
Exposure shows how contention over Japan's new democracy was
expressed, disavowed, and reimagined through representations of the
gendered body.
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