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Books > History > World history > From 1900
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Conceiving the City - London, Literature, and Art 1870-1914 (Hardcover, New)
Loot Price: R4,113
Discovery Miles 41 130
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Conceiving the City - London, Literature, and Art 1870-1914 (Hardcover, New)
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Conceiving the City is an innovative study of the ways in which a
generation of late-Victorian novelists, poets, painters, and
theoreticians attempted to represent London in literature and art.
Breaking away from the language and style of Dickens and the static
panorama paintings of William Powell Frith, major figures such as
Henry James and J. M. Whistler, and, crucially, less-celebrated
authors such as Arthur Machen, Edwin Pugh, and George Egerton bent
realism into exciting new shapes. In the naturalism of George
Gissing and Arthur Morrison, the fragmentary impressions of Ford
Madox Ford, and the brooding mystery of Alvin Langdon Coburn's
photogravures, London emerged as a focus for dynamic, explicitly
modern art. Although many of these insights would be dismissed or
at least downplayed by subsequent generations, the ideas evolved
during the period from 1870 to 1914 anticipate not only the work of
high modernists such as Eliot and Woolf, but also that of later
urban theorists such as Foucault and de Certeau, and the novels and
travelogues of contemporary London writers Peter Ackroyd and Iain
Sinclair. Nicholas Freeman recovers a sense of late-Victorian
London as a subject for dynamic theoretical and aesthetic
experiments, and shows, in stimulating analyses of Conan Doyle, H.
G. Wells, Arthur Symons, and others how much of our understanding
of urban space we owe to eminent (and not so eminent) Victorian
figures. Written in a clear and accessible style, the book restores
a much-needed historical perspective to our engagement with the
metropolis.
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