In this feminist rereading, Pamela A. Boker examines the
prolonged adolescence of the American male in the works of three
quintessential American male authors, Herman Melville, Mark Twain,
and Ernest Hemingway, through a highly original psychoanalytic
inquiry. Challenging conventional interpretations, Boker argues
that failing to mourn loss and repressing one's true emotions do
not demonstrate a heroic capacity, but rather, a damaging inability
to work through psychological wounds that have not healed.
Boker locates in the lives and fiction of Melville, Twain, and
Hemingway the suicidal orphan, the adolescent simultaneously
seeking masculine maturity and escaping from it. She reveals a
world of perpetual adolescence, repressed grief, and repudiation of
feminine identification. All three writers lacked intimate
relationships with their fathers and remained conflicted
emotionally, a condition which profoundly influenced their creative
work.
In Melville's life and work, readers encounter aggressive and
guilt ridden characters, trapped in infantile and early adolescent
development. Similarly, Mark Twain enlisted humor and nostalgic
fantasies of an ideal past in his avoidance of difficult emotions.
Silent references and vague allusions to painful feelings
proliferate the fiction of Hemingway. In seeking out the repressed
vulnerability of the tough guy in American literature, Boker finds
it where it is most vigorously denied.
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