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Projecting Spirits - Speculation, Providence, and Early Modern Optical Media (Hardcover)
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Projecting Spirits - Speculation, Providence, and Early Modern Optical Media (Hardcover)
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The history of projected images at the turn of the seventeenth
century reveals a changing perception of chance and order,
contingency and form. In Projecting Spirits, Pasi Väliaho maps how
the leading optical media of the period—the camera obscura and
the magic lantern—developed in response to, and framed, the era's
key intellectual dilemma of whether the world fell under God's
providential care, or was subject to chance and open to
speculating. As Väliaho shows, camera obscuras and magic lanterns
were variously employed to give the world an intelligible and
manageable design. Jesuit scholars embraced devices of projection
as part of their pursuit of divine government, whilst the Royal
Society fellows enlisted them in their quest for empirical
knowledge as well as colonial expansion. Projections of light and
shadow grew into critical metaphors in early responses to the
turbulences of finance. In such instances, Väliaho argues,
"projection" became an indispensable cognitive form to both assert
providence, and to make sense of an economic reality that was
gradually escaping from divine guidance. Drawing on a range of
materials—philosophical, scientific and religious literature,
visual arts, correspondence, poems, pamphlets, and
illustrations—this provocative and inventive work expands our
concept of the early media of projection, revealing how they spoke
to early modern thinkers, and shaped a new, speculative concept of
the world.
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