The popularity of such books as Frank McCourt's Angela's Ashes,
Mary Karr's The Liars' Club, and Kathryn Harrison's controversial
The Kiss, has led columnists to call ours "the age of memoir." And
while some critics have derided the explosion of memoir as
exhibitionistic and self-aggrandizing, literary theorists are now
beginning to look seriously at this profusion of autobiographical
literature.
Informed by literary, scientific, and experiential concerns, How
Our Lives Become Stories enhances our knowledge of the complex
forces that shape identity, and confronts the equally complex
problems that arise when we write about who we think we are. Using
life writings as examples including works by Christa Wolf, Art
Spiegelman, Oliver Sacks, Henry Louis Gates, Melanie Thernstrom,
and Philip Roth Paul John Eakin draws on the latest research in
neurology, cognitive science, memory studies, developmental
psychology, and related fields to rethink the very nature of
self-representation.
After showing how the experience of living in one's body shapes
one's identity, he explores relational and narrative modes of
being, emphasizing social sources of identity, and demonstrating
that the self and the story of the self are constantly evolving in
relation to others. Eakin concludes by engaging the ethical issues
raised by the conflict between the authorial impulse to life
writing and a traditional, privacy-based ethics that such writings
often violate."
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