This collection focuses on the history of legal emblems and the
genealogy of law s visual structures. The growing interest in law
and the visual has tended to focus in a somewhat lazy fashion upon
film and law, rather than addressing the actual history of law s
regimes of visual control. But early modern lawyers, civilian and
common alike, developed their very own ars iuris or art of law. A
variety of legal disciplines always relied in part upon the use of
visual representations, upon images and statuary to convey
authority and sovereign norm. Military, religious, administrative
and legal images found juridical codification and expression in
collections of signs of office, in heraldic codes, in genealogical
devices, and then finally in the juridical invention in the
mid-sixteenth century of the legal emblem book. This book traces
the complex lineage of the legal emblem and argues that the mens
emblematica of the humanist lawyers was the inauguration of a
visiocratic regime that continues in significant part into the
present and multiple technologies of vision. Bringing together
leading experts on the history of legal emblems to address the
critical question of why it was lawyers who authored the
"emblemata," and correlatively, what was the relation and role of
these visual depictions of norms to the practice and performance of
law, this collection provides a ground-breaking account of the long
relationship between visibility, meaning and normativity."
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