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The Figure of Music in Nineteenth-Century British Poetry (Paperback)
Loot Price: R748
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The Figure of Music in Nineteenth-Century British Poetry (Paperback)
Series: Music in Nineteenth-Century Britain
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How was music depicted in and mediated through Romantic and
Victorian poetry? This is the central question that this specially
commissioned volume of essays sets out to explore in order to
understand better music's place and its significance in
nineteenth-century British culture. Analysing how music took part
in and commented on a wide range of scientific, literary, and
cultural discourses, the book expands our knowledge of how music
was central to the nineteenth-century imagination. Like its
companion volume, The Idea of Music in Victorian Fiction (Ashgate,
2004) edited by Sophie Fuller and Nicky Losseff, this book provides
a meeting place for literary studies and musicology, with
contributions by scholars situated in each field. Areas
investigated in these essays include the Romantic interest in
national musical traditions; the figure of the Eolian harp in the
poetry of Coleridge and Shelley; the recurring theme of music in
Blake's verse; settings of Tennyson by Parry and Elgar that
demonstrate how literary representations of musical ideas are
refigured in music; George Eliot's use of music in her poetry to
explore literary and philosophical themes; music in the verse of
Christina and Dante Gabriel Rossetti; the personification of lyric
(Sappho) in a song cycle by Granville and Helen Bantock; and music
and sexual identity in the poetry of Wilde, Symons, Michael Field,
Beardsley, Gray and Davidson.
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