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Claiming Wagner for France - Music and Politics in the Parisian Press, 1933-1944 (Hardcover)
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Claiming Wagner for France - Music and Politics in the Parisian Press, 1933-1944 (Hardcover)
Series: Eastman Studies in Music
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A pathbreaking study of the Parisian press's attempts to claim
Richard Wagner's place in French history and imagination during the
unstable and conflict-ridden years of the Third Reich. Richard
Wagner was a polarizing figure in France from the time that he
first entered French musical life in the mid nineteenth century.
Critics employed him to symbolize everything from democratic
revolution to authoritarian antisemitism. During periods of
Franco-German conflict, such as the Franco-Prussian War and World
War I, Wagner was associated in France with German nationalism and
chauvinism. This association has led to the assumption that, with
the advent of the Third Reich, the French once again rejected
Wagner. Drawing on hundreds of press sources and employing close
readings, this book seeks to explain a paradox: as the German
threat grew more tangible from 1933, the Parisian press insisted on
seeing in Wagner a universality that transcended his Germanness.
Repudiating the notion that Wagner stood for Germany, French
critics attempted to reclaim his role in their own national history
and imagination. Claiming Wagner for France: Music and Politics in
the Parisian Press, 1933-1944 reveals how the concept of a
universal Wagner, which was used to challenge the Nazis in the
1930s, was gradually transformed into the infamous collaborationist
rhetoric promoted by the Vichy government and exploited by the
Nazis between 1940 and 1944. Rachel Orzech's study offers a close
examination of Wagner's place in France's cultural landscape at
this time, contributing to our understanding of how the French
grappled with one of the most challenging periods in their history.
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