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The Penn Commentary on Piers Plowman, Volume 2 - C Passus 5-9; B Passus 5-7; A Passus 5-8 (Hardcover)
Loot Price: R2,562
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The Penn Commentary on Piers Plowman, Volume 2 - C Passus 5-9; B Passus 5-7; A Passus 5-8 (Hardcover)
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The first full commentary on Piers Plowman since the late
nineteenth century, the Penn Commentary places the allegorical
dream-vision of Piers Plowman within the literary, historical,
social, and intellectual contexts of late medieval England, and
within the long history of critical interpretation of the poem,
assessing past scholarship while offering original materials and
insights throughout. The authors' line-by-line, section by section,
and passus by passus commentary on all three versions of the poem
and on the stages of its multiple revisions reveals new aspects of
the work's meaning while assessing and summarizing a complex and
often divisive scholarly tradition. The volumes offer an
up-to-date, original, and open-ended guide to a poem whose
engagement with its social world is unrivaled in medieval English
literature, and whose literary, religious, and intellectual
accomplishments are uniquely powerful. The Penn Commentary is
designed to be equally useful to readers of the A, B, or C texts of
the poem. It is geared to readers eager to have detailed experience
of Piers Plowman and other medieval literature, possessing some
basic knowledge of Middle English language and literature, and
interested in pondering further the particularly difficult
relationships to both that this poem possesses. Others, with
interest in poetry of all periods, will find the extended and
detailed commentary useful precisely because it does not seek to
avoid the poem's challenges but seeks instead to provoke thought
about its intricacy and poetic achievements. Volume 2, by Ralph
Hanna, deliberately addresses the question of the poem's perceived
"difficulty," by indicating the legitimate areas of unresolved
dilemmas, while offering often original explanations of a variety
of textual loci. Perhaps more important, his commentary indicates
what has not always appeared clear in past approaches-that the poem
only "means" in its totality and within some critical framework,
and that its annotation needs always to be guided by a sense of
Langland's developing arguments.
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