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Books > History > Asian / Middle Eastern history
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Waltzing with Bashir - Perpetrator Trauma and Cinema (Hardcover)
Loot Price: R4,632
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Waltzing with Bashir - Perpetrator Trauma and Cinema (Hardcover)
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Waltzing with Bashir proposes a new paradigm for cinema trauma
studies - the trauma of the perpetrator. Recognizing a current
shift in interest from the trauma suffered by victims to that
suffered by perpetrators, the book seeks to theorize this still
under-studied field thus breaking the repression of this concept
and phenomenon in psychoanalysis and in cinema literature. Taking
as a point of departure the distinction between testimony given by
the victim and confession made by the perpetrator, this pioneering
work ventures to define and analyze perpetrator trauma in
scholarly, representational, literary, and societal contexts. In
contrast to the twentieth-century definition of the perpetrator
based on modern wars and totalitarian regimes,Morag defines the
perpetrator in the context of the twenty-first century's new wars
and democratic regimes. The direct result of a drastic
transformation in the very nature of war, made manifest by the
lethal clash between soldier and civilian in a battlefield newly
defined in bodily terms, the new trauma paradigm stages the trauma
of the soldier turned perpetrator, thus offering a novel
perspective on issues of responsibility and guilt. Such theoretical
insights demonstrate that the epistemology of the post-witness era
requires breaking deep-seated psychological and psychiatric, as
well as cultural and political, repression. Driven by the emergence
of a new wave of Israeli documentary cinema, Waltzing with Bashir
analyzes the Israeli film and literature produced in the aftermath
of the second Intifada. As Ari Folman's Waltz with Bashir and other
new wave films demonstrate, Israeli cinema, attached on one side to
the legacy of the Holocaust and on the other to the Israeli
Occupation, is a highly relevant case for probing the limits of
both victim and perpetrator traumas, and for revisiting and
recontextualizing the crucial moment in which the
victim/perpetrator cultural symbiosis is dismantled.
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