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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 -
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Consuming Stories - Kara Walker and the Imagining of American Race (Paperback)
Loot Price: R762
Discovery Miles 7 620
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Consuming Stories - Kara Walker and the Imagining of American Race (Paperback)
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In Consuming Stories, Rebecca Peabody uses the work of contemporary
American artist Kara Walker to investigate a range of popular
storytelling traditions with roots in the nineteenth century and
ramifications in the present. Focusing on a few key pieces that
range from a wall-size installation to a reworked photocopy in an
artist's book and from a theater curtain to a monumental sculpture,
Peabody explores a significant yet neglected aspect of Walker's
production: her commitment to examining narrative depictions of
race, gender, power, and desire. Consuming Stories considers
Walker's sustained visual engagement with literary genres such as
the romance novel, the neo-slave narrative, and the fairy tale and
with internationally known stories including Roots, Beloved, and
Uncle Tom's Cabin. Walker's interruption of these familiar works ,
along with her generative use of the familiar in unexpected and
destabilizing ways, reveals the extent to which genre-based
narrative conventions depend on specific representations of race,
especially when aligned with power and desire. Breaking these
implicit rules makes them visible-and, in turn, highlights viewers'
reliance on them for narrative legibility. As this study reveals,
Walker's engagement with narrative continues beyond her early
silhouette work as she moves into media such as film, video, and
sculpture. Peabody also shows how Walker uses her tools and
strategies to unsettle cultural histories abroad when she works
outside the United States. These stories, Peabody reminds us, not
only change the way people remember history but also shape the
entertainment industry. Ultimately, Consuming Stories shifts the
critical conversation away from the visual legacy of historical
racism toward the present-day role of the entertainment
industry-and its consumers-in processes of racialization.
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